New York-born Louis Hirsch (1881–1924) reigned with Jerome Kern as a
leading driver in transitioning American musical theater, in the second
decade of the 20th century, from the operetta and music hall stylings of
the past to a new “modern” brand of musical comedy—with witty,
intimate, believable plotlines and a ceaselessly melodic musical score.
This studio recording, with four-hand piano accompaniment, of Hirsch’s
complete score for his 1915 musical My Home Town Girl is the first in a planned series that will revisit the rare musical theater gems of a bygone era.
ACT I: “The Bride Shop,” Fifth Avenue, New York (morning)